- Collection:
- Global music series
- Auteur / Interpréte:
- Brinner, Benjamin
- Données d'édition:
- Oxford University Press Inc.; New York; 2008
- Sujets:
- HERRI MUSIKA
MUSIKA IDATZIA
SOINU-TRESNA
- Emplacement:
- XIV / 5
- Remarques:
- Liburu honek berekin CD bat du
- Contenu:
- Contents
Foreword....xi
Preface....xvii
CD Track List....xvii
1. First Hearings........1
Introduction........1
What is a Gamelan?........3
Gamelan Performance Contexts in Solo: Life Cycles and Musical Cycles........4
Cyclicity and Coincidence........11
Music in the everyday........13
Patronage and Sociopolitical change........15
Social status, Language, and interaction........16
Gamelan at the Radio Station........17
Similarities and Differences........19
Categories and Cross-Cultural (Mis)Communication........21
Conclusion: Three Themes........22
Flexibility of Framework and processes........22
Appropriateness........23
Interconnectedness........23
2. A sense of time........25
Making and Marking Musical Time: Gongs and Drums........27
Cyclity and Colotomic Function........28
Drumming........33
Lancaran Drum Patterns........37
Gongs, Drums, and the Flexibility of Time........44
3. Gamelan, Tuning, and Instrumental Melody........48
Gamelan Tunings........52
Tuning Systems: Sléndro and Pélog........53
Gamelan Instruments........55
Instrumental Melody........59
Melody and Elaboration........66
Balungan, Peking, and Bonang........66
'Ladrag Asmaradana'........69
4. Songs, Singers, and Gamelan........74
Special Aspects of Singing........74
Poetry, Song, and Gamelan........76
Conclusion........87
5. Melodic Elaboration and Training in the Arts........88
Rebab, Gendèr, and other Elaborating Instruments........88
Céngkok, Variation, and the Transmission of Musical Knowledge........93
6. Shadows and Tales........97
Wayang in Pangkah Village........97
Javanese Shadow Plays........102
The Stories and the Telling: The Main Elements........104
Physical Setup........104
Plots and Plot Sources........107
Characters and Character Types........108
Language and Voice........111
Movement Patterns........112
Dramatic Structure: Schemata of Various Sizes........113
Conclusion........114
7. Music for Motion and Emotion- Wayang kulit........117
'Brajadenta Balela'........117
Wayang Repertoire........ 124
Music for Expressing Emotion: Sulukan........124
Music for accompanying Motion: Gendhing Lampah........126
Music for setting a Scene: Gendhing........132
Return to 'Brajadenta Balela'........135
Flexibility and Appropriateness........139
Conventions and Innovations........140
8. Java and Beyond........144
Pak Croko........144
Interconnectedness: Theater, Dance, and Music........148
Educational Institutions........151
Regionalism and the Dominance of Solonese Style........152
Java and the Rest of Indonesia........153
Java and the World........153
Conclusion 155
Glossary........157
References........161
Resources........163
Index........167
- ISBN:
- ISBN: 978-0-19-514736-0 (cloth: alk. paper); ISBN: 978-0-19-514737-7 (pbk.: alk. paper)
- Mesures:
- 21; 14
